Wednesday, 25 June 2014

Chesterfield College 2014 Arts Festival

 Artwork from across Art and Design departments.









Chesterfield College 2014 Exhibition My exhibit





 My exhibit is based on connections. It explores a the process of connection a range of different materials and ways of forming new links. mainly weaved and knitted based, the overall work was very time consuming, I created daily targets for myself and focused all my efforts on my work, which in result I felt i'd grown an attachment to my work, creating a personal connection, a sentimental value that only I could understand and others could appreciate.




Tuesday, 3 June 2014

Ai Weiwei at Yorkshire Sculpture Park

“The art always wins. Anything can happen to me, but the art will stay.” -
Ai Weiwei

Exhibited in YSP 18th century chapal which has recenlty been revonvaed to a high standard is Ai Weiwei's iron tree, 2013, the exhibition also clevery forms a connection between father and son, acommpaning the piece are poetry reading by Ai Qing, Ai Weiwei’s father.

The 6 metre tall iron sculpture presented outside the chapel suggests the idea of freedom, I liked it's situation when i visited, being outside trees are naturally free to grow and live to their fullest, whereas if it were confined in a space it could not bloosm

which relates to freedom in someways, such as outside brings alot more oppertunities then if you stay inside.

The sculpture also represents the individual within society, whilst also connecting with the history and character of the building.


Saturday, 26 April 2014

Making connections (wires)















A response to visual artist Judith Scott I felt inspired by her wrapping of materials.

in this piece I feel it is interesting to see the wires individually, compared to Scott's work, she wraps materials around objects to hide and conceal them, I wanted to extract the materials and see them in a more simplistic way.

The loose, dynamic shapes achieved flow well together, intertwined and overlapping eachother  
forming a well bonded connection. the aesthetic of the frame compliments the subtle tones of the wire
as to be not to overpowering but prominent enough to make an impact.

I am interesting testing out materials and objects and pushing their limits
to another level, I feel this piece has helped me to see the range of different qualities  
that wires can produce when combined.
  


Friday, 25 April 2014

Judith Scott 'Outsider Art'


Judith Scott was born in 1943
and died in 2005. Throughout her life she was isolated by down syndrome and profound deafness.

Scott was placed in Creative Growth, the first center in the world dedicated to supporting artists with disabilities.

Scott was slow starting, lacking interest for a couple of years till she was introduced to fiber art  were her passion textiles begun.

Her work reflects little cultural input being souly the expression of her creative mind. She challenges the idea of art, not having any formal education, or qualifications, or aspiration to be an artist,
she simple gathers materials and turns them into sculptures
without planning.

It has been called outsider art, suggesting that you don't need to be an artist, to create art,
which I find an interesting concept, I think their is alot of pressure for artists to create a good
piece of art, plan carefully and logically and consider costs and funding for Scott all of these aspects wouldn't matter to her.

She would go around and collect and take jewelery, objects and anything she could find to conceal in one of her pieces. her would is very tactile and rustic. I find the connections made between each material and the way they are wrapped and combined together really interesting, there is a careful aspect to Scott's work which I like.

I find her a very inspiring artist and I take alot of influece from her way of working and hope to incorporate elements into my own studies.

Tuesday, 8 April 2014

Maxine Bristow

Maxine Bristow
Textile artist
Bristow’s work is inspired by repetitive patterns found in everyday objects and the plans and organisation she makes before starting a piece.
Her work shows the valuable of simple objects and materials that are around us, with them providing inspiration as usually seen as an unlikely source.
Bristow’s work shows extreme discipline and dedication, creating one piece with 1,475 handmade button holes setting her self a goal of 88 buttonholes a day to archive her deadline. She shows that order, being patient and quiet can be expressive.

Often Bristow uses weaving and embroidery in her work, she finds interest in functional objects that she comes across in charity shops, such as sheets pillowcases and handkerchiefs.

Monday, 7 April 2014

Exploring woven textiles: Ann Sutton


Ann Sutton is a textile artist, designer and author of textile based books. Sutton is best known for her woven  sculptures. I was interested in Sutton's piece 'Woven Bedcover, 1984' for it's interlinked chain like formation, also the  chromatic tones of descending colours, their vibrant aesthetic captured my attention.
                                                          
The sculptural shapes Sutton creates are interesting,
they process a very loose and tactile nature, the joining of each piece compliments each other well along with the slightly fade pastel colours          

Sutton's work has influenced me to reflect on my own work and consider aspects such as colour and sculpture. I hope to experiment with using a combination of colours and test different outcomes.

                                                           


                  




                                           

Saturday, 5 April 2014

Yarn Bombing: Why do it?

Yarn bombing, a new form of graffiti street art taking over the streets of London and other areas.
Many artists have been taking influence from this and responding in their own way, 
some forming groups. 

'Knit the City' are one group, based in the heart of London a combined group
of members with different skills 'Deadly Knitshade' founded 'Knit the City' in 2009
recording the process and journey through camera wielding and weaving.


Woking as a collective group of artists [eople begun to create yarn and stitch sculptures across London on anything from public figures, telephone boxes to trees.

Yarn bombing primarily targets forgotten public areas and gives them new life and colour. It brings people together, encouraging us to care about our environment and be creative at the same time.


Yarn has been added on to public statures and figures, railings, doors, things we pass by every day and may not give a second glance have become a piece of art, bringing an art gallery to us in a simple way.
it encourages people to be creative weather you are an artist or not.

Sunday, 5 January 2014

Anna Barham: DOUBLE SCREEN (NOT QUITE TONIGHT JELLYLIKE) Sheffield Site Gallery

A study by Anna Barham looking at the connections between written and verbal language and imagery and text, this piece features the artist reading a text as her voice is recorded through voice recognition software and repressed over and over on a loop, continually changing.

We see the process, video footage of a UV jet printer, and various motifs of flashing imagery such as an owl, the swirling visual effect of black in as it dilutes into liquid,

Anna Barham: Double Screen (not quite tonight jellylike)


I found this exhibition very interesting, when I went I was not sure how long it was, or what exactly it was about, however I found the longer I stayed the more clearer things became, everything blends into one and the text and sounds merge and unfold gradually.

Barham created a very conceptual and thought provoking piece which I feel I gained inspiration from, the use of text and imagery really interested me, the whole piece keeps you thinking throughout.